Seconds, minutes, hours... but not only
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
1198
31
Measuring time has always been a necessity for mankind: from the meridian to the pocket watch, to the wrist watch - now increasingly relegated to the dimension of collecting and vintage, therefore of art - man has tried to keep "control" over the hours.
Of all the tools for measuring time, even wall clocks are not exclusively a function, on the contrary they immediately show themselves for their captivating aesthetics.
Having now become an essential element of design furniture, they amaze us with the variety of their subjects and colors. Digital and modern or, analog, antique, vintage. The choice is difficult!
For ORIGAMI STEEL, a brand that - the name says - works metal, the regularity of the shapes is something to leave behind. Analog, Can't wait is the clock expressing the contradictions that give it a unique image, because it seeks a synthesis between geometric profiles and the creativity of the new.
Can't wait relives the classic spirit of the cuckoo clock to recall a sound from the past, a mountain hut, a soup on the fire, grandparents...It relives it, reinterpreting it in the light of the needs of our daily life. ORIGAMI STEEL has always thought about Nature and has created a wall clock once again with an absolutely recyclable and therefore eco-friendly structure. Metal, at the base of every object in our collection, has replaced wood and becomes an explosion of color in a kitchen, in an hall, or in a study. In the living area it can surprise with its tenderness and its delicate ouline, truly able to win over friends and visitors; the little ones will sleep peacefully in a bedroom that will immerse itself in the magic of this nice clock.
Can't wait will create a serene environment, where it will be spontaneous to experience moments of joy.
Time is quality to be spent with the people you love, in a space that talks about you and welcomes you among the objects you prefer. ORIGAMI STEEL gives your home a green note, a sustainable design that respects the environment.
.jpg/400/400)
