for Origami Steel
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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Metal, whether pure or alloyed, is a material with ductility. Also for this reason it is employed in the most transversal uses, so much so that we are often surprised to know how many and what functions it can have. A winning feature of ORIGAMI STEEL, which bears in its name the "simplicity" of the use of metal, used in two-dimensional mode, as if to indicate, for the function of decoration, the underlying lightness that everyone would like to bring into the home.
With a focus on the naturalness of Steel and Calamine, the ORIGAMI STEEL proposal ranges from creative tones also given by colors, not just imaginative shapes, and by brushing and varnishing treatments.
For the shapes, it is the silhouette that gives an emotional outline, the most dynamic contribution, with the representation of elements that refer to the world of Trees according to a creative tripartite: Heaven Tree and Fantasy Tree to demonstrate the somewhat baroque complexity for which metal can be used, and Steel Tree for the more “minimal” version.
Furthermore, to get to three-dimensionality, just flex some details at the ends. With the third dimension, which changes the perception of the object in space, with their details playing with recesses and projections, as if they were reaching out towards us, the "chromatic" dimension also changes: the details that we bend to our liking project their shadows on the wall that make the whole thing more multifaceted, in a fascinating alternation between light and dark ...
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