The link between the city and water
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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PLANIUM presents its new Metal-morphosis collection at dOT - Design Outdoor Taste interpreting the "Water" concept in the historic setting of the Cloister of Saint Mark in Brera. This square, once part of the dock of Saint Mark, the point where the water of the Naviglio flowed into an urban port, was also the gateway to the waters of the Naviglio Martesana in Milan and the connection of these with the canal system. of the inner circle. Until the 1930s, the lake of Saint Mark was used to send the paper dedicated to the Corriere della Sera to via Solferino. Milan and water have an ancient bond that is still deeply rooted. The Church is medieval and Augustinian, of Gothic-Romanesque style.
WAVE11 design by Maurizio Galante & Tal Lancman.
Photo by Eleonora Terenzi.
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