The Design of Caoscreo
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
924
9
Claudette has always been a driving force of the CAOSCREO brand and approaches the rounded hatches of early twentieth century abstractionism because its outline wants to reproduce that of a cloud.
It is in fact a shelf that also acts as a bedside table, which therefore floats, confirming its independent spirit. Available in several colors in painted metal, suitable for a creative context that can break the monotony of certain interiors, playing with hovering and giving that feeling of freedom typical of what represents something that is in the air.
With a little imagination, time jumps will refer to Joan Miṛ and Kandinskij, but also to romantic landscape artists such as John Constable, known precisely for depicting clouds.
Metal is a sustainable material, because it is recyclable: also for this reason mankind has practically always used it and the two go hand in hand in history. All CAOSCREO furnishing accessories are produced in Italy and are affected by our taste for beauty.
.jpg/400/400)
