The Trees
I have read, listened, written, drawn, painted, photographed, visited… Everything can be more interesting if you remain curious, if you do not lose the desire to learn and experiment. I pause to observe the contrasts of colors, the different points of view of a shot, the sound of synonyms with which the same thing can be described, the harmony of a painting. A note can also be color, poetry is also melody, an image can scream more than one word. The expression: that's all... it's all here. (Editorial Director - Art Director)
To talk about myself I would use the English concept of Language Enthusiast, with its bad translation into Italian. Years of study, travel and authentic and pulsating passion for what lies beyond the border converge in this expression. I have an indiscriminate interest in any culture and any person with a story to tell. I remain with difficulty compressed in my dimension, I feel the continuous need to push myself further. I can't stand the innuendo, the half sentences and the boredom of waiting rooms. Certainly communicative, analytical, I split reality into a thousand pieces and then reassemble it. I think and write in 4 languages, which I love all of them, because inside they sing me a beautiful song. (Editor - Translator).
What unites Piacentini's Architecture with Greenaway's Cinema, Munari's Design with Tiepolo's painting and Kandiskij's studies? What unites the election posters with the paper tickets we used for the tram? For visual culture, the challenge of the third millennium lies in seeing the red thread that binds each of its branches to tell the image and aesthetics. I would like to do it through a passion that comes from the tradition of classic cinema. After all, what is the history of Design if not the cerebral attempt to give a soul to matter, to plagiarize the form according to its most hidden meaning and all to be revealed? (Editor - Reporter)
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The tree is an ancient witness to the past that bears the weight of centuries and sometimes millennia; in front of this figure of nature, which merges with mythology due to its age, countless generations and civilizations have passed... And therefore the Tree symbolizes not only the history of man, but also the relationship between nature and man himself: does he respect it or are he still oblivious to it? Has he learned to deal with his own limitations? Are you now planning to be part of the same ecosystem that you cannot entirely control?
For some time the Architects have set themselves the goal of building taking into account the anthropogenic elements as well as the natural ones: the sensitivity has changed and there is talk of protecting the trees (no longer only the millenary ones) or even of Silvotherapy, that therapeutic solution of real disease treatment and prevention through trees.
The CAOSCREO brand, which draws the outilnes of nature from metal, shaping it and making it flexible beyond any stereotype of "hardness", emphasizes this historical form with the Fantasy Tree and Heaven Tree products, whose various meanings from fairytale to iconographic: always for an interlocking game between reality and fiction that makes the domestic context more creative and lights up the Interior Design with imagination. Fantasy Tree is a type of Tree that we could imagine the protagonist in children's stories and has a classic physiognomy, with a vertical trunk that appears "well planted" whereas Heaven Tree instead wants to be a tribute to the Tree that was placed at the center of Eden and it is more rounded, fluctuating, blunt, full of curved lines, almost ineffable...
Both of these furnishing accessories for the interior are decorative and also functional: as a coat hanger and sometimes as a key ring, flexing the branches and leaves of a ductile metal ready to be modeled, on which to "play"...
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